On a summer break from college, Ivy, a young epileptic woman, struggles to balance her feelings for her fledgling boyfriend while her friend Al crashes with her for the season.

The young girls Kate and Echo live in their own land of make believe. When one of them stumbles across the real world, their friendship faces a serious challenge.

Gambling brothers Bret (James Garner) and Bart Maverick (Jack Kelly) are, as usual, hot on the trail of a fast buck.

An investigation into Guy Fawkes's treasonous scheme of 400 years ago.

Exploding Plastic Inevitable was a series of multimedia events organised by Andy Warhol between 1966 and 1967, featuring musical performances by The Velvet Underground and Nico, screenings of Warhol's films, and dancing and performances by regulars of Warhol's Factory. It is also the title of a 18-minute film by Ronald Nameth filmed during one week of the show in Chicago, Illinois in 1966.

Lena Yartseva is a Moscow school girl. She has a typical family of modest means. Lena loves to dream of a good life and a lot of time in the nearby shopping center, where is her realm of dreams, and the mirror looks at her reflection – usually clad girls. Too much of a difference between her parents’ wishes and possibilities. Perfectionism, anger, temper originate Lena quarrels with his parents and leaves the house.

Pat Carlsson is a 14-year-old Swedish schoolgirl who though very young is very streetwise as she offers sex, for a price, to middle-aged attorney John Berg who can not resist the young girl. What starts as an immoral sexual escape, becomes a nightmare of tragedy and deception involving blackmail, kidnapping and murder.

The Bonzo Dog Band freak out at the farm and strange sounds abound.

The 29-minute experimental film Christmas on Earth caused a sensation when it first screened in New York City in 1964. Its orgy scenes, double projections and overlapping images shattered artistic conventions and announced a powerful new voice in the city's underground film scene. All the more remarkable, that vision belonged to a teenager, 18-year-old Barbara Rubin. A Zelig of the '60s, she introduced Andy Warhol to the Velvet Underground, Bob Dylan to Kabbalah and bewitched Allen Ginsberg. The same unbridled creativity that inspired her to make films when women simply didn't, saw her breach yet another male domain, Orthodox Judaism, before her mysterious death at 35. Lifelong friend Jonas Mekas saved all her letters, creating a rich archive that filmmaker Chuck Smith carefully sculpts into this fascinating portrait of a nearly forgotten artist. An avante-garde maverick, a rebel in a man's world, Barbara Rubin regains her rightful place in film history.

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